Rice University’s Student Newspaper — Since 1916

Tuesday, April 15, 2025 — Houston, TX

Weekly Scenes and Screens, Jan. 26

weekly-scene-and-screens-tina-liu
Illustrated by Tina Liu

By Morgan Gage     1/25/22 11:43pm

KTRU Cozy Show

KTRU is hosting their annual Cozy Show this Friday, Jan. 28 from 6 to 8 p.m. at Valhalla courtyard. Attend to listen to Washed Up Rookie and DA/ZE and take advantage of the free hot chocolate and cookies.

PRIDE Open Mic



Rice PRIDE is hosting their first open mic night Thursday, Jan. 27 from 8 to 10 p.m. in Ray’s Courtyard. Join Rice PRIDE in celebrating “queer art in all forms,” and for those interested in signing up to perform ahead of time there is a Google form to fill out.

“Soundwaves” 

The new Moody exhibit “Soundwaves: Experimental Strategies in Art + Music” has its student opening Saturday, Jan. 29 from 6 to 8 p.m. at the Moody Center for the Arts. The first 50 attendees will receive free boba tea, and the event will have free food, drinks and music provided by KTRU. 

ASTR* Launch

Just before the “Soundwaves” student opening, attend the launch of ASTR* Magazine’s new issue Saturday, Jan. 29 from 4 to 6 p.m. for the launch of their fourth issue “SPACE.” There will be free donuts and a plaster-casting workshop.

[1/29/2022 11:15 a.m.] This article has been updated to reflect that the Moody Center for the Artsstudent opening is on Jan. 29. 



More from The Rice Thresher

A&E 4/8/25 11:28pm
Review: "The Crux" Should Redefine Djo

Joe Keery’s work has been boiled down to Steve Harrington from “Stranger Things,” but this label shouldn’t define his 10 years in the entertainment industry. Keery, under his stage name “Djo", is the voice behind the TikTok hit “End of Beginning,” which was released with his album “DECIDE” in 2022 and climbed the charts for the first time in 2024.  With “The Crux”, Keery’s third album, he tries to separate his work as Djo and an actor, evidenced by the album’s visual of Keery escaping a building. 

A&E 4/8/25 11:27pm
Review: “Lonely People With Power” merges blackgaze fury with dreamy introspection

Fifteen years into a storied career that’s crisscrossed the boundaries of black metal and shoegaze, Deafheaven has found a way to once again outdo themselves. “Lonely People With Power” feels like a triumphant return to the band’s blackgaze roots, fusing massive walls of guitar-driven sound with whispery dream-pop interludes, recalling their classic album trio of the 2010s (“Sunbather,” “New Bermuda” and “Ordinary Corrupt Human Love”). It also bears the learned refinements of “Infinite Granite,” the 2021 album where they dabbled more boldly in cleaner vocals and atmospheric passages. 


Comments

Please note All comments are eligible for publication by The Rice Thresher.