Houston film festival highlights local trailblazers
The Houston Cinema Arts Festival, now running in theaters from Nov. 10 to 17, is a celebration of both the global and local film communities, highlighting trailblazing documentaries, outsider narratives and innovative short films. In a film landscape typically defined to most people by the various megaplexes scattered around the city, the festival is bringing a necessarily diverse set of voices and perspectives into the spotlight.
Jazmyne Moreno, the festival’s lead programmer, attempted to capture the cosmopolitan spirit of Houston while simultaneously pushing boundaries and highlighting unique voices.
“I aimed to make my curation for the festival reflect as much of Houston’s identity as possible,” Moreno said. “I did not want my curation to look like an outsider’s perspective on the city. Houston’s film-going audience is different, and that is a strength to be embraced, encouraged and explored.”
Capturing both the attention and core of a Texas city through the programming was not unfamiliar for Moreno, who has previously worked with the Austin Film Society.
“I wanted to export a bit of what I do in my role at Austin Film Society: showcasing films I believe push the boundaries of the medium and upend audience expectations,” Moreno said. “Film, as any art, should inspire you to question.”
This deliberate focus on challenging and thought-provoking films created a unique lineup that placed the spotlight on people of color, queer stories and female-driven talent, bringing films to Houston that may otherwise be inaccessible. Moreno said this goal to spotlight marginalized groups through film was an undeniable success. She noted that the Houston audiences were accepting and receptive, though Houston itself did pose some challenges.
“The biggest difference between [Austin and Houston] is perhaps Houston’s fragmentation. Houston lacks a centering hub for its film community, but the passion is the same, if not more gracious,” Moreno said. “There are programs you envision and cut due to cost, availability, venues … It’s never quite as you imagine, but the promise of what could be is the mirage in the distance that you’re forever reaching for, a constant source of frustration and inspiration.”
While these challenges may have posed some roadblocks, the festival still managed to achieve its goal of presenting new films to the Houston community, as well as being engaging for filmmakers. Jenny Waldo, a filmmaker and film professor at Houston Community College, held an in-person script reading for her upcoming film “Martha’s Mustang.”
While Waldo is not a Houston native, she said that she was immediately welcomed into the film community. Her previous feature, “Acid Test,” was screened at the Houston Cinema Arts Festival last year, and the short film it was based on was shot in Houston. This local connection has brought Waldo a narrative that she is exploring in her new film.
“Somebody brought the story to me after the short film ‘Acid Test,’ and introduced me to Martha,” Waldo said. “It’s all about community. If I hadn’t made a film in Houston, I wouldn’t have been introduced to the story, I wouldn’t have interviewed those around Martha and I wouldn’t have been able to write the script.”
Waldo said that she was happy with the way the Cinema Arts Festival exposed new and local films. She also had ideas on how to engage Houston audiences after the festival.
“We have to make the effort to go. I try to make the effort to engage as often as I can with the various groups that exist,” Waldo said. “I think fostering groups working together is important, but without cooperation they are splitting their audience, whereas aligning would create a bigger audience.”
Moreno echoed this sentiment, and said she wants to encourage Houston film fans to continue to support these events.
“There are many great organizations made of people doing the work of showing films,” Moreno said. “Attend. The opportunities are here — seek them out.”
More from The Rice Thresher
Artsy courses offered this spring semester
Another course registration period has come upon us, but no worries: To help you consider your options, the Thresher has compiled a list of new, unique courses offered this spring semester.
“Songs of a Lost World” feels like The Cure’s farewell
Having released their last proper album in 2008 — the largely panned “4:13 Dream” — few would’ve expected the legendary ’80s British alternative rock band The Cure to release an album that feels like a late-career peak. But that’s exactly what “Songs of a Lost World” is - a rebirth, even though it's simultaneously a somber meditation on death.
Review: “LOST IN HEAVEN” stays true to Chase Atlantic’s successful formula
Students could have kept their Halloween night spooky with the midnight release of Australian alt-pop band Chase Atlantic’s fourth album “LOST IN HEAVEN”, heavy with dark, pulsating melodies overlaying darker themes. Tackling vulnerable subjects such as drug abuse and mental health with catchy grooves is a much-repeated Chase Atlantic move, but “LOST IN HEAVEN” does it well.
Please note All comments are eligible for publication by The Rice Thresher.