Review: “A Different Man” gives a twisted take on self-acceptance

By Thomas Pickell     11/5/24 11:22pm

Score: ★★★★½

Few films have defied my expectations quite like “A Different Man”. I walked into the screening anticipating a straightforward thriller that dramatizes the lives and struggles of facially disabled individuals . While the film explores that theme, it also looked me dead in the eye, laughed in my face and left me laughing out loud more than I have in years.

Directed by Aaron Schimberg, “A Different Man” follows Edward, an aspiring actor with neurofibromatosis, a condition where tumors grow underneath the skin. As a new treatment offers him a chance to escape the isolation imposed by his condition, Edward realizes that overcoming his physical challenges creates a new psychological barrier to navigate.

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Despite the potentially harrowing premise, this film is, at its core, a darkly comedic gem. Edward’s tragic circumstances are infused with a cosmic humor that elevates his struggles, making them poignant and laugh-out-loud funny. It’s dark, energetic and continually raises the stakes.

The film's success hinges on the career-defining performances of its two male leads. Sebastian Stan delivers astonishing range, showcasing depth and strength in what could be his standout role. His ability to convey emotion through prosthetics without sacrificing sincerity is remarkable. Meanwhile, Adam Pearson shines with a relentlessly positive performance, catalyzing the film’s most absurd and entertaining threads. The two have an undeniable chemistry, with Pearson’s open optimism serving as a perfect foil to Stan as he grapples with the consequences of his actions.

One of the film’s most delightful surprises is its tight writing. It balances sharp, efficient dialogue with visceral moments, keeping the audience engaged. There is barely a dull moment, showcasing everything from harrowing despair to claustrophobic anxiety to relentless rage. The film also employs meticulous set design to establish a series of visual motifs that enrich the storytelling for attentive viewers. From the cramped, dimly lit spaces that mirror Edward’s internal struggles to the vibrant, chaotic environments that reflect his fleeting moments of joy, each detail contributes to Schimberg’s storytelling excellence. Also remarkable is the flawless prosthetics and makeup used for the film's first half, which are never distracting or inauthentic.

Moreover, the film's soundtrack complements its tone perfectly, oscillating between haunting melodies and the vibrant sounds of his surroundings that underscore the stark isolation of Edward's life. It enhances the emotional landscape, drawing viewers deeper into the narrative.

In a world where many films tend to shy away from complex subjects, A Different Man embraces them with audacity and humor. It challenges our perceptions of beauty, marginalization and self-acceptance while also looking at the parasitic nature of art and its subjects. This film has a lot to say on a breadth of issues and does so in an unapologetic and surreal tone.

Ultimately, “A Different Man” is a bold, innovative film that defies genre conventions. It leaves a lasting impression, reminding us that even our most glaring insecurities are better overcome than swept away. This film not only entertains but also provokes thought, making it a must-see for anyone willing to explore the complexities of identity with both seriousness and a demented sense of humor.

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