
Night Market brings Taiwanese tradition to Ray’s Courtyard
Colorful strings of paper lanterns and glowing lights hung over Ray’s Courtyard amid bustling games April 13, as the Rice Taiwanese Association hosted their annual Night Market.
Colorful strings of paper lanterns and glowing lights hung over Ray’s Courtyard amid bustling games April 13, as the Rice Taiwanese Association hosted their annual Night Market.
Behind an unassuming brick exterior lies abstract art, overflowing bookshelves and handcrafted wood furniture. Floor-to-ceiling windows bathe the home of Fabiola López-Durán and Carlos Martínez-Rivera in natural light.
This month is Arab American Heritage Month — so what better time to highlight media created by and about the Arab world? Here are some of the best works by Arab filmmakers, musicians and writers that showcase the diversity and complexity of Arab experiences.
For the first time since the Covid-19 pandemic, students gathered in the Ley Student Center to celebrate global experiences through photography.
Joe Keery’s work has been boiled down to Steve Harrington from “Stranger Things,” but this label shouldn’t define his 10 years in the entertainment industry. Keery, under his stage name “Djo", is the voice behind the TikTok hit “End of Beginning,” which was released with his album “DECIDE” in 2022 and climbed the charts for the first time in 2024. With “The Crux”, Keery’s third album, he tries to separate his work as Djo and an actor, evidenced by the album’s visual of Keery escaping a building.
Fifteen years into a storied career that’s crisscrossed the boundaries of black metal and shoegaze, Deafheaven has found a way to once again outdo themselves. “Lonely People With Power” feels like a triumphant return to the band’s blackgaze roots, fusing massive walls of guitar-driven sound with whispery dream-pop interludes, recalling their classic album trio of the 2010s (“Sunbather,” “New Bermuda” and “Ordinary Corrupt Human Love”). It also bears the learned refinements of “Infinite Granite,” the 2021 album where they dabbled more boldly in cleaner vocals and atmospheric passages.
Alienating, strange and familiar, “Glory” by Perfume Genius sounds like wandering the empty halls of your home.
Michelle Zauner returns as Japanese Breakfast for the first time in two years with her new album “For Melancholy Brunettes (& sad women).” The album comes 10 years after Zauner’s mother died, and Zauner said in a DIY Magazine interview that her grief speaks to the album’s theme of melancholy. This melancholy is potent throughout this album: Zauner has an incredible knack for turning her life experiences into pieces of masterful fiction set to music. She sprinkles blink-and-you’ll-miss-it metaphors and references throughout the album.
“A Minecraft Movie” is not very good. I don’t think that should come as a surprise to anyone.
Another course registration period – closing this Friday – has forced us to contemplate whether to drop a major or drop out altogether, but no worries: to assist you in considering your options, the Thresher has compiled a list of unique classes offered this fall semester.
ktru’s 33rd annual “Outdoor Show” music festival shifted indoors March 29 due to concerns about inclement weather. Despite the last-minute location change, attendees, performers and organizers said the event retained its lively atmosphere and community spirit.
A white-tiled geometric sculpture sits on the outer corner of the academic quad, between Lovett and Herzstein Halls. A variety of materials – string, pins, ribbon – are housed on the structure in plastic containers.
When I think of "Invincible," I immediately picture Mark Grayson at the emotional center of his universe, much like Spider-Man anchors the Marvel world. Mark is a hero deeply shaped by tragedy, yet driven by a seemingly impossible desire to remain good. Despite pure intentions, his efforts often backfire spectacularly. And ultimately, despite his reluctance, he faces uncomfortable truths about what it genuinely means to be heroic.
Even if you weren’t annoying in middle school, the first thing that probably comes to mind when you hear the name Daveed Diggs is “Hamilton.” But before Diggs made his debut as Thomas Jefferson and the Marquis de Lafayette on Broadway, he was creating dark and mechanical soundscapes as the lead vocalist of the experimental hip hop outfit “clipping.” along with fellow musicians William Hutson and Jonathan Snipes.
Katie Butler didn’t enjoy playing the violin when she started at four years old – it wasn’t until middle school, when she got to play with an orchestra, that she discovered her passion for the instrument. Now, she’s majoring in violin performance at the Shepherd School of Music and enjoying every moment.
Over the three years I have been writing for the Thresher, I consider myself lucky when I’m able to review just one movie directed by one of my favorite filmmakers. Steven Soderbergh is the exception, somehow releasing two movies – “Presence” and “Black Bag” – in just two months.
The Rice Players took over Hamman Hall March 28-29 with “The Solve It Squad,” a comedy by Corey Lubowich, Joey Richter and Brian Rosenthal that reimagines the beloved ‘Scooby-Doo’ gang as dysfunctional adults reunited after tragedy.
Nearly 17 years after The Hunger Games was released, Suzanne Collins masterfully transports – no, throws us – right back to our first introduction of the series. Writing with a tenacity that mimics the heroic journeys of her characters, Collins’ second prequel is a delight to read, for seasoned fans and first-timers alike.
Nearly 17 years after The Hunger Games was released, Suzanne Collins masterfully transports – no, throws us – right back to our first introduction of the series. Writing with a tenacity that mimics the heroic journeys of her characters, Collins’ second prequel is a delight to read, for seasoned fans and first-timers alike.
After nearly five years of canceled release dates, cryptic livestreams and scattered singles that never quite materialized into anything more than music videos, Playboi Carti’s “MUSIC” is finally here. The album, stuffed to the brim with 30 tracks, is both proof of Carti’s magnetic presence and a stark reminder that bigger is not always better.