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Monday, March 31, 2025 — Houston, TX

Arts and Entertainment

A&E 1/28/25 11:29pm

Review: “Presence” is a ghost story that floats above formulaic Hollywood drama

By Jay Collura

Does any director love making movies more than Steven Soderbergh? Since 1989, Soderbergh has made 33 feature films using every genre, style, and piece of technology possible. Despite the fact he worked his way up through the independent film space to direct some of the biggest middlebrow studio films of the last 30 years (Ocean’s Eleven, Erin Brockovich), he still seeks out new challenges and technologies to sharpen his craft. What other filmmakers have the audacity to film not one but two of their movies on iPhones instead of cutting-edge cameras?

A&E 1/28/25 11:29pm

Review: Han Kang’s ‘We Do Not Part’ won’t leave you

By Hugo Gerbich-Pais

Kyungha has nothing left to live for, until she is tasked with saving the life of her friend’s bird. What follows is a haunting exploration of the burden of remembrance and historical violence. Originally published in Korean in 2021, “We Do Not Part,” translated into English by e. yaewon and Paige Aniyah Morris, was released Jan. 21. It left me breathless; Kang’s latest novel still sits heavy on my chest and haunts my thoughts. In “We Do Not Part,” Han Kang proves why she was the worthy recipient of the 2024 Nobel Prize in Literature. 

A&E 1/28/25 11:27pm

Review: “Conclave” is agreeably thrilling

By Arman Saxena

The movie your dad probably insisted you watch over break, “Conclave” is a political-religious thriller that never quite rises to greatness, yet remains thoroughly absorbing from first frame to last. Adapted from Robert Harris’s novel and helmed by “All Quiet on the Western Front” director Edward Berger, the film scored an impressive eight Oscar nominations on Thursday morning, including Best Picture, Best Actor and a likely win for Best Adapted Screenplay. It’s not hard to see why: “Conclave” weds a first-rate ensemble to sumptuous visuals, spinning Vatican intrigue into a tightly crafted spectacle that, for better or worse, stops short of any deeper revelations. 

A&E 1/28/25 11:27pm

Review: Arthouse titans unite in “The Room Next Door”

By Jay Collura

Are there two better working actors than Julianne Moore and Tilda Swinton? Perhaps, but it’s hard to find a pair of actors who have better taste. Moore has worked with a murderer’s row of American auteurs (Paul Thomas Anderson, Todd Haynes, Robert Altman). Swinton has seemingly worked with every significant arthouse filmmaker working today (Apichatpong Weerasethakul, Jim Jarmusch Luca Guadagnino, Bela Tarr). 

A&E 1/28/25 11:14pm

Review: Mangold’s Bob Dylan remains ‘A Complete Unknown’

By Arman Saxena

The Academy Awards revealed their nominations Jan. 23, and to the surprise of many, James Mangold’s Bob Dylan biopic walked away with eight. Titled “A Complete Unknown,” the film follows Dylan’s meteoric rise in the 1960s folk scene, culminating in his now-famous transition to electric guitars. Despite the nods from the Academy, Mangold’s film delivers a story that is more style than substance, never fully illuminating the genius behind the shades. 

A&E 1/28/25 11:11pm

Lavina Kalwani entwines sustainability, fashion

By Juliana Lightsey

In May 2023, a Berkeley Law School sticker adorned Lavina Kalwani’s laptop; she had been accepted and was set to attend in the fall. Four months later, Kalwani found herself on a completely different path: weaving together entrepreneurship and sustainable fashion while pursuing her Master of Business Administration at Rice.

A&E 1/21/25 10:48pm

Review: “Balloonerism” is a graceful tribute to Mac Miller’s legacy

By Charlie Cruz

Mac Miller’s “Balloonerism” is a delicate balancing act — a posthumous release that feels deeply personal yet walks the fine line between honoring an artist's legacy and commodifying it. Unlike other releases from late artists, which can feel like haphazard collections of half-finished demos (The Party Never Ends by Juice WRLD comes to mind), “Balloonerism” is a cohesive, almost ethereal work.

A&E 1/21/25 10:46pm

Review: ‘The Brutalist,’ while ambitious, is a brutal failure

By Max Scholl

If there’s anything “The Brutalist” is, it’s ambitious. Following visionary architect László Toth (Adrien Brody) through some thirty years of his life — from his post-World War II immigration to the U.S. to his struggles with a wildly ambitious project — “The Brutalist” reflects its namesake architectural style: massive, angular and carved out of stone. 

A&E 1/21/25 10:45pm

Review: Mercato and Co. delights

By Sarah Motteler

A new Italian-inspired coffee shop and grocery store hybrid has found its home on West University Boulevard. Mercato and Company, according to the cafe’s website, aims to provide customers with “a warm, inviting atmosphere that feels like home” and “a friendly and quaint experience.” When I visited, I was pleased to have these claims confirmed. The delicious food and charming ambiance combined to make Mercato a place I’d want to visit again soon.

A&E 1/21/25 10:43pm

Architecture alumna Luján builds community through art, design

By Chi Pham

Over a decade ago, Melissa McDonnell Luján ’10 was tasked with redesigning the Contemporary Arts Museum Houston as one of her Rice Architecture studio assignments. Now, after she was appointed the museum’s co-director earlier this month, she’s designing CAMH’s future.

A&E 1/21/25 10:42pm

Senior Spotlight: Naomi Doron makes citrus-colored connections

By Lily Harvey

Whether working on a piece for her senior studio class, putting together a zine or doodling with friends, Naomi Doron never stops being creative. For Doron, a Jones College senior studying visual art and cognitive sciences, art extends beyond the actual piece — it’s a way for her to connect with others, she said.

A&E 1/14/25 10:34pm

Review: “The Book of Mormon” involves no reading

By Sara Davidson

“The Book of Mormon”, a flashy musical that is not at all biblically accurate, came to the Houston Hobby Center January 7-12. The musical makes a mockery of the typical mission work expected from Mormons, covering everything from their racism, attempts at forced conversion and inner-religious conflicts, all while tap-dancing and singing away. 

A&E 1/14/25 10:33pm

Bad Bunny's "Debí Tirar Más Fotos" is a love letter to Puerto Rico

By Charlie Cruz

With “Debí Tirar Más Fotos,” Bad Bunny kicks off 2025 with an electrifying return to his roots, creating an album that is equal parts tribute, reinvention and celebration of Puerto Rican identity. Benito Antonio Martínez Ocasio doesn’t just deliver 17 tracks; he crafts a vibrant journey that honors the traditions of his homeland while fearlessly reshaping the landscape of Latin music. It’s a bold, deeply personal statement that reaffirms his place not only as a global superstar but also as a cultural ambassador for Puerto Rico.

A&E 1/14/25 10:32pm

Stop-motion and scares: A&E’s best movies of 2024

 

From record-breaking blockbusters to subtle indie gems, 2024 proved that the cinematic landscape is more vibrant than ever. Directors took bold creative risks, reviving classic stories and exploring new genres with stunning ambition. Blockbuster epics returned in force and packed theaters, but smaller films also found their moments to shine, offering compelling narratives, unforgettable performances and daring visuals. With so many exceptional releases, The Thresher’s A&E writers faced a tough task in selecting the top ten — these are the films that defined the year in cinema.

A&E 1/14/25 10:32pm

Stop-motion and scares: A&E’s best movies of 2024

 

From record-breaking blockbusters to subtle indie gems, 2024 proved that the cinematic landscape is more vibrant than ever. Directors took bold creative risks, reviving classic stories and exploring new genres with stunning ambition. Blockbuster epics returned in force and packed theaters, but smaller films also found their moments to shine, offering compelling narratives, unforgettable performances and daring visuals. With so many exceptional releases, The Thresher’s A&E writers faced a tough task in selecting the top ten — these are the films that defined the year in cinema.

A&E 1/14/25 10:31pm

Review: “Look Back” is short but powerful

By Charlie Cruz

“Look Back” is one of the best films of 2024. Inspired by the tragic 2019 Kyoto Animation arson attack, Tatsuki Fujimoto, the creator of “Chainsaw Man,” crafts a deeply moving tribute that transforms real-life sorrow into a story of resilience and connection. 

A&E 1/14/25 10:28pm

Four movies you missed over winter break

By Jay Collura

Winter is the best time to be a movie fan. Hollywood studios always release their award-season hopefuls, new attempts at Christmas classics and movies (hopefully) good enough to convince the whole family to go out during the holidays. This year was no different, but certain films definitely stood out above the rest -- here are four films that were released over winter break that you may have missed.

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