NEWS
1/13/11 6:00pm
By Emily Nichol
Swan Lake is an obvious ballet to use as a foundation for a psychological horror film; rife with supernatural occurrences, identity thieves and mistaken personalities, it seems unlikely that the ballerinas participating in the performance could not be emotionally affected. Darren Aronofsky, known for his other dark, cerebral dramas like Pi and Requiem for a Dream, creatively emulates a young ballerina's artistic struggle with her first big part and her resulting mental breakdown in his new film Black Swan.Black Swan's plot very loosely follows the plot of the ballet: Nina Sayers (V for Vendetta's Natalie Portman) is trapped, not in a swan's body, but in an overly competitive dance company, held captive by her bizarre and constraining mother (The Portrait of a Lady's Barbara Hershey). Nina becomes increasingly self-destructive as the pressure from her role, her competition with new company member Lily (Forgetting Sarah Marshall's Mila Kunis) and her developing sexual curiosity escalate. As Nina is pushed both emotionally and physically, her imagination consumes her, culminating in a dramatic opening night.