Review: “I’m Still Here” is a defiant and intimate portrait of a family under dictatorship
Nominated for three Academy Awards, including Best Picture, “I’m Still Here”, arrives with plenty of buzz, positioning director Walter Salles’ film squarely in the spotlight. It’s not exactly surprising: This is the same Salles who helmed “Central Station” and “The Motorcycle Diaries”, both lauded for blending socio-political commentary with humane, character-driven storytelling. In “I’m Still Here”, he returns to these strengths, exploring one of the darkest chapters of Brazilian history — its 1964-1985 military dictatorship — through the intimate lens of a single family.