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Arman Saxena

A&E 3/4/25 11:06pm

R&B legends electrify Toyota Center on Mary J. Blige’s “For My Fans” Tour

By Arman Saxena

A sold-out crowd at Toyota Center witnessed three R&B legends combine forces on Feb. 18, delivering a night that was equal parts nostalgia, powerhouse vocals and pure soul. Titled the “For My Fans” Tour, Mary J. Blige’s first major outing since her Rock and Roll Hall of Fame induction felt like a homecoming of sorts — not just for Blige, but for openers Mario and Ne-Yo, who brought their own timeless hits and crowd-pleasing flair to the stage.

A&E 2/25/25 11:47pm

With ChòpnBlok, Ope Amosu centers flavor and community

By Arman Saxena and Juliana Lightsey

Ope Amosu used to host small dinner parties out of his friend’s apartment by the Galleria, serving a menu of his own West African fusion recipes. His intention was to have a completely new guest list at each dinner, in order to get a diverse variety of feedback on his food – but people kept asking to come back.

A&E 2/18/25 10:38pm

Review: “I’m Still Here” is a defiant and intimate portrait of a family under dictatorship

By Arman Saxena

Nominated for three Academy Awards, including Best Picture, “I’m Still Here”, arrives with plenty of buzz, positioning director Walter Salles’ film squarely in the spotlight. It’s not exactly surprising: This is the same Salles who helmed “Central Station” and “The Motorcycle Diaries”, both lauded for blending socio-political commentary with humane, character-driven storytelling. In “I’m Still Here”, he returns to these strengths, exploring one of the darkest chapters of Brazilian history — its 1964-1985 military dictatorship — through the intimate lens of a single family. 

A&E 2/18/25 10:37pm

Spotlighting Black media

By Arman Saxena

This month is Black History Month — so what better time to engage with media highlighting members of the Black community in the United States and around the world? Here are some incredible works by Black artists that illustrate a small sliver of the diversity of the Black experience.

A&E 2/4/25 11:03pm

Review: “Nickel Boys” is an intimate and potent masterpiece

By Arman Saxena

Oscar season might have crowned Brady Corbet as the new “great American director” for his ambitiously sprawling “The Brutalist,” but with Nickel Boys — his adaptation of Colson Whitehead’s Pulitzer Prize-winning novel — RaMell Ross stuns us all, staking a bold claim as a visionary, essential voice in American filmmaking. 

A&E 2/4/25 11:02pm

Oscar snubs and surprises

By Ridhi Dondeti , Jennifer Liu , Jay Collura and Arman Saxena

On Jan. 23, the Academy of Motion Picture Arts and Sciences announced the nominations for their annual much-anticipated Academy Awards. Like every year, this slate of nominees was full of snubs and surprises; here are some that the Thresher believed were especially notable.

A&E 1/28/25 11:27pm

Review: “Conclave” is agreeably thrilling

By Arman Saxena

The movie your dad probably insisted you watch over break, “Conclave” is a political-religious thriller that never quite rises to greatness, yet remains thoroughly absorbing from first frame to last. Adapted from Robert Harris’s novel and helmed by “All Quiet on the Western Front” director Edward Berger, the film scored an impressive eight Oscar nominations on Thursday morning, including Best Picture, Best Actor and a likely win for Best Adapted Screenplay. It’s not hard to see why: “Conclave” weds a first-rate ensemble to sumptuous visuals, spinning Vatican intrigue into a tightly crafted spectacle that, for better or worse, stops short of any deeper revelations. 

A&E 1/28/25 11:14pm

Review: Mangold’s Bob Dylan remains ‘A Complete Unknown’

By Arman Saxena

The Academy Awards revealed their nominations Jan. 23, and to the surprise of many, James Mangold’s Bob Dylan biopic walked away with eight. Titled “A Complete Unknown,” the film follows Dylan’s meteoric rise in the 1960s folk scene, culminating in his now-famous transition to electric guitars. Despite the nods from the Academy, Mangold’s film delivers a story that is more style than substance, never fully illuminating the genius behind the shades. 

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